Nona Faustine Confronts History through Portraiture

Self-portraiture allows me to respond to those images of people who were put on display as examples of inferiority, politicized black bodies in the early history of photography. Images made long ago and ideas perpetuated even now.

Screen Shot 2016-07-11 at 9.22.16 AM

I document myself in places where the history becomes tangible. Acting like a conduit or receptor, in both protest and solidarity, with people whose names have been forgotten and whose contributions remain unacknowledged. Conjuring past memories embedded in the land. The resulting images are both historical and anti-historical, as they pose questions to which the answers have been violently denied.

The figurative and literal weight of the black female body, the role it plays in Western society, and the canon of art history, reconstructing a narrative of race, memory, and time that delve into, stereotypes, folklore and anthropology, and family lineage. These are meditative reflections of a history Americans have not come to terms with, challenging the duality of what is both visible and invisible.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s